{"version":"1.0","provider_name":"PlayRight","provider_url":"https:\/\/playright.be\/en\/","title":"Masterclass \"music in audiovisual: how does it work?\"","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UIWRzvvryE\"><a href=\"https:\/\/playright.be\/en\/masterclass-music-in-audiovisual-how-does-it-work\/\">Masterclass &#8220;music in audiovisual: how does it work?&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/playright.be\/en\/masterclass-music-in-audiovisual-how-does-it-work\/embed\/#?secret=UIWRzvvryE\" width=\"600\" height=\"338\" title=\"&#8220;Masterclass &#8220;music in audiovisual: how does it work?&#8221;&#8221; &#8212; PlayRight\" data-secret=\"UIWRzvvryE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/playright.be\/wp-content\/uploads\/2019\/12\/VISUEL_masterclass4-768x543.png","thumbnail_width":768,"thumbnail_height":543,"description":"Soundtrack, opening credits, jingle, editing or assembly\u2026 an audiovisual work or TV programme without music would be unthinkable. What is the role of the editor in the commercialisation of music? How does he relate to the composer and the musicians? And what are your rights in this regard?"}