{"id":16886,"date":"2019-09-06T04:15:10","date_gmt":"2019-09-06T04:15:10","guid":{"rendered":"http:\/\/playright.be\/?p=16886"},"modified":"2019-12-09T07:49:11","modified_gmt":"2019-12-09T07:49:11","slug":"melanie-isaac-and-arty-leiso-winners-off-francoff-2019","status":"publish","type":"post","link":"https:\/\/playright.be\/en\/melanie-isaac-and-arty-leiso-winners-off-francoff-2019\/","title":{"rendered":"M\u00e9lanie Isaac and Arty Leiso: winners off Franc’Off 2019"},"content":{"rendered":"

As a partner of the Franc’Off initiative, PlayRight met with the first two winners of the competition that took place this summer as part of the Francofolies de Spa festival. Both artists and authors, Mélanie Isaac and Arty Leiso tell us more about their career, their influences and sources of inspiration, as well as their future projects.<\/strong><\/h4>\n\n\n\n

How did your career go so far? Can you tell something\nmore about your first concert, or how you started as an artist?<\/strong><\/p>\n\n\n\n

Mélanie Isaac:<\/strong> My\nfirst concert? I must have been about ten years old. I had just learnt my first\nchords on the guitar. One evening, I went to a party with my parents. There was\na group of cool granddaddies who played some kind of blues rock to cheer up the\nnight, as far as I can remember. But what I do remember clearly is that I had\nmy gaze fixed on the microphone all night long. Once the dessert was digested,\nI gathered all my courage and asked the singer whether he could lend me his\nguitar for a song. With shaking hands, I commenced with a G Major, intoning a\nsong by Françoise Hardy “Tous les garçons et les filles”<\/em>, and those were\nmy first steps towards a public performance. Just like la chanson française<\/em>\nwhich has this “romantic-melancholic” tendency, performing is like a hard drug:\nyou take it once and you’re addicted all your life (laughs). <\/em>After that,\nthings went quite naturally. I managed to delve deeper, to meet musicians, to\nform cover groups in different genres, all while secretly writing my own songs.\nI only dared to publish these songs much later, after I had obtained a\nnon-artistic college degree, which I really hoped I would never need. Of\ncourse, it became clear quite quickly that I still needed and need a job to\nfill my fridge and finance my productions. Fortunately, amazing music\nencounters and collaborations came my way, and I was able to enrich my palette.\nThe memories of this give me an instant warm feeling but listing all the phases\nI have gone through would be a bit boring. There is a sentence in one of the\nsongs I want to record soon, however, which perhaps summarizes my idea of a\ncreative life: “Mise au hazard d’une exigence, laisse le repos pour les\nprudentes”. <\/em>If I look back on the path I have followed, my megalo dream and\nI, I think we haven’t done such a bad job!<\/p>\n\n\n\n

Arty Leiso: <\/strong>I\nstarted making music very early on by going to the classical academy when I was\nlittle, while I was getting a ‘Jazz bath’ at home, as well. At a certain point,\nhowever, I was fed up with the classical guitar and I quit the academy. What I\nwanted was Nirvana, something noisy, spicy (laughs). <\/em>My father showed me\nthe major chords, and I started playing with friends and taught myself a lot by\nlistening to The Beatles, amongst others. After completing a formation in Human\nSciences, I attended Jazz Studio in Antwerp and, consequently, went to the\nConservatory of Brussels, department Jazz, without actually wanting to start a\ncareer in jazz. But if you want to study music, there are, with a few\nexceptions, very little options other than jazz and classical on the French-speaking\nside. Very soon, I had projects with Alice Spa (acoustic pop-folk) and my group\nPurpleized (reggae-rock).<\/p>\n\n\n\n

Both of you are authors and performers at the same\ntime. Wat are important influences and sources of inspiration for you? And how\nwould you describe your musical projects?<\/strong><\/p>\n\n\n\n

Mélanie Isaac: <\/strong>It’s a\nreal job. Of course, our work involves certain skills, methods… but I’m not a\nfan of the term ‘musical project’. It is probably somewhat naïve, but I would\nlike to continue to believe that, at the time of the act, being an author,\nmusician or singer is primarily a state. I believe that there is some sort of\nself-examination or even self-precision at the core of my work. A song lasts\nbarely three minutes, which is short. It’s a matter of choosing the right\nangle, making your vision more or les clear to yourself and your public, while\nleaving enough room for the listener to project his own vision, his own ‘state’\nagainst it. Unintentionally, I think I’m trying to produce small, timeless\nmusical bubbles that convey more or less primary feelings. I love poetry and\nElectro-pop. Life, all of my life, influences me. Every encounter, experience,\njourney, musical whim ends, I suppose, by a complete ‘purge’ somewhere at the\ntime of the composition.<\/p>\n\n\n\n

Arty Leiso: <\/strong>I love\ncomposing. I also started to love singing more and more, so I compose, write\nand perform. In fact, I have been doing everything from A to Z for years,\nwhether it concerns composition, music, videos or edits. For ten years, I have\nbeen saving money to be able to assemble my own studio in my house, and since\nseven months ago, I now have my own base at home, and I look for arrangers and\nrecord in larger studios where people help me make my beats and songs cleaner.\nI cannot do everything at the same time: I am a musician, I compose, I record,\nI mix, I make my clips, I assemble them, I calibrate, I do my own communication\nabout my projects, … In short, it’s time to focus on fewer things and to\noutsource certain tasks, especially with regard to videos and arranging my\nrecordings. I always used to want to do everything by myself, but that is just\nimpossible. Four or five years ago, I started making music to go on holidays\nwith friends. Gradually, I started to sing more and more, and now one year ago\nI launched Arty Leiso. It is a full-fledged show with mini sketches,\nmise-en-scene and music. I have created an entire world around Arty Leiso:\nmusic, clips, etc. For the show, I called on a friend and we are on stage with\nthe two of us, he is there for the stage work. For the entire production part,\nI’m alone on the stage, and then he comes along on stage, as well. <\/p>\n\n\n\n

\"\"
Arty Leiso at the Francofolie de Spa (2019)<\/figcaption><\/figure>\n\n\n\n
\n\n\n\n

You won, respectively, the first and second prize at\nthe Franc’Off festival 2019. How did you experience the Francofolies de Spa?<\/strong><\/p>\n\n\n\n

Mélanie Isaac: <\/strong>When\nit comes to a competition, you can never really guess where it will lead you,\nbecause competition is often enormous. In this case here, I did not believe in\nit at all. The musicians who usually accompany me on stage and I were unable to\nsynchronize our agendas, so I had to defend my songs on my own on stage, with\nmy guitar and my piano, something I hadn’t done for years. Since most of the\nartists who perform on stage on their own rely on computers and pre-recorded\ntapes, it was a huge surprise that my proposal was received with so much\nenthusiasm. In addition to the prize I received and the opportunity to meet a\nnew audience, I retain from this experience especially an invaluable sense of\nfreedom, and the desire to go travel with my guitar under my arm, take trains,\nto come back with a travel diary full of songs, to call musicians and prepare\namazing concerts in group for the next edition of the Francofolies. It remains\nto be seen whether my planning permits that, of course (laughs).<\/em><\/p>\n\n\n\n

Arty Leiso: <\/strong>I\nplayed for the first time at the Francofolies two years ago, together with\nAlice Spa, and I was very excited to be able to perform there again. As far as\nthe competition is concerned, I have never experienced anything like this one:\nwe were welcomed in an incredible way, we played at the heart of the festival,\namongst the other artists, the stage conditions were ideal… It was, for\nexample, the first time that I performed with wireless microphones; an enormous\nfeeling of freedom! We also got similar visibility as the other artists on the\nfestival’s line-up, no distinction was made. It was the first time that I\nexperienced a festival in which the musicians of a competition were treated in\nthe same way as the other artists. We even received a compensation, which may seem\nnormal, but cannot be taken for granted. And to top it off, I had the chance to\nperform three times: once with Alice spa and twice as Arty Leiso.<\/p>\n\n\n\n

You have been working as artists for several years\nnow. How do you manage your professional career?<\/strong><\/p>\n\n\n\n

Mélanie Isaac: <\/strong>So\nfar, I am my own agent, my own label, my own manager. Of course, sometimes I\nwould like to rely on a professional team so that I can fully concentrate on my\nmusic. Perhaps that will be the case some day, but at the moment, I am thinking\nmore of self-management and I consider that a form of creation, too. I\ninterpret it in a playful way. During the rare dead moments, I take a break for\na while and start dreaming. Then I wonder: “What is the craziest thing you can\ndo? Which artist do you admire most and with whom would you like to work? What\nwould be the best concert?”… Whenever I have a few answers, all I have to do is\ndare to take the risk and organize myself carefully. But I don’t always dare to\ndo so. Sometimes, I crash, or it leads me somewhere completely away from where\nI had imagined, and luckily, because otherwise the game would be way less fun.\nWhen it comes to paperwork, I rely on Smart. Moreover, I had the opportunity to\nfollow some training courses about law and contracts. I am learning by doing\nand, luckily, Art-I, a booker, is always there when I have questions that I\ncannot solve on my own. That is indispensable!<\/p>\n\n\n\n

Arty Leiso: <\/strong>That\nscares me a bit. I am self-employed, and as I musician I have no steady income,\nso I opened an Ice cream saloon with my mother. I invoice as a self-employed\nperson, but I often encounter many questions. Sometimes I’m a bit lost, I don’t\nknow what to ask to whom. I also followed a few courses, such as Management at\nthe Conseil de la Musique and that really helped me. In addition, I followed a\nfew courses from Ça Balance. Now I still have many questions, and I don’t know\nwho to turn to. I think strongly about these thinks, and also about the whole\ntime behind it: who gets paid what, how, etc.<\/p>\n\n\n\n

What are your future projects?<\/strong><\/p>\n\n\n\n

Mélanie Isaac: <\/strong>Both\nin my head as on the screensaver of my computer I’ve got the title of an album\nwritten. Most of the songs have already been written and composed, some à\nquatre mains<\/em>. The\npre-production work with one of the people I often work with started a few days\nafter the Franc’Off. As I am increasingly fascinated by the creation of\naudiovisual objects, I have also written a number of declarations of intent and\nI’ve collected images for two video clips. But I am not going to throw\neverything on the table right now because I’m scared to talk about things\nbefore they are finished. It causes me sleepless nights.<\/p>\n\n\n\n

Arty Leiso: <\/strong>Since\nthe Franco’Off festival, I have pondered over a lot of things: what do I want\nto do with my project, what is the essence, which direction do I want to take…\nMy manager supports me and guides me, which gives me a real boost. We were\nrecently approached by a booker who offered us an annual contract. So I am\ntrying to figure out how that works, who gets what, what the legislation says,\netc. There are several concerts planned in the near future, all of it is on my\nFacebook page. In addition, I am working hard on my album that I hope to\nrelease in early November. I’ve been working on it for a long time and want to\norganize a big party for the release of the album!<\/p>\n\n\n\n

Follow Mélanie Isaac on Facebook<\/a><\/strong><\/h4>\n\n\n\n

Follow Arty Leiso on Facebook<\/a><\/strong><\/h4>\n","protected":false},"excerpt":{"rendered":"

As a partner of the Franc\u2019Off initiative, PlayRight met with the first two winners of the competition that took place this summer as part of the Francofolies de Spa festival.[…]<\/p>\n","protected":false},"author":3,"featured_media":16870,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[11,78],"tags":[3247,3245,2639],"class_list":["post-16886","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-news","tag-arty-leiso","tag-francofolies-de-spa","tag-laureats"],"acf":[],"yoast_head":"\nM\u00e9lanie Isaac and Arty Leiso: winners off Franc'Off 2019 - PlayRight<\/title>\n<meta name=\"description\" content=\"M\u00e9lanie Isaac and Arty Leiso are the new laureates of the Franc'off 2019, the contest of the Franco de Spa festival to reveal the Belgian talents.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/playright.be\/en\/melanie-isaac-and-arty-leiso-winners-off-francoff-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e9lanie Isaac and Arty Leiso: winners off Franc'Off 2019 - 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