FAQ
Task a representative for the management and the follow-up of my file?
PlayRight
Task a representative with the management and the follow-up of my file?
The General Assembly
Audiovisual Music PlayRight
The general Assembly is the highest decision-making body within PlayRight. It is the assembly of the shareholders, which normally gathers annually on the third Monday of June.
The PlayRight team
PlayRight
The Executive Committee and the management, in their turn, are responsible for the day-to-day administration. The team of collaborators follows up on dossiers, executes the operational decisions and insures data processing.
History & missions
PlayRight
PlayRight defends the interests of musicians, actors, dancers and circus and vaudeville artists.
Who can I contact ?
Music PlayRight
For declarations and/or invoices issued in 2020, please contact Unisono via the online contact form or via the following telephone number: 02 286 82 11 For declarations and/or invoices issued[…]
Where can I find the rates?
Music PlayRight
The payers of the equitable remuneration: businesses, restaurants, and public events where recorded music is broadcast must pay this equitable remuneration. The rates vary depending on your activity, the surface[…]
The equitable remuneration, the main source of income for the neighbouring rights of the musicians
Music Music PlayRight PlayRight
The equitable remuneration is by far the main source of income from neighbouring rights that belong to music performers in Belgium. In figures The neighbouring rights distributed among musicians in[…]
From collection to distribution: what happens with the equitable remuneration ?
Music PlayRight
Collected by Unisono, the equitable remuneration is then paid to musicians and music producers via the collecting societies that represent them: SIMIM (producers) and PlayRight (performing artists). Specific to music,[…]
Who collects the equitable remuneration ?
Music Music PlayRight PlayRight
Both pay the equitable remuneration to SIMIM for the part that goes to the music producers, and PlayRight for the part that goes to the performing artists, on the basis of an equal share between the two collecting societies (50/50 ).