Both pay the equitable remuneration to SIMIM for the part that goes to the music producers, and PlayRight for the part that goes to the performing artists, on the basis of an equal share between the two collecting societies (50/50 ).
A business, a restaurant or a public event during which recorded music will be broadcast must pay this equitable remuneration according to a certain number of criteria (space, nature of[…]
The equitable remuneration is a compulsory license that must be paid when recorded music is played on a publicly accessible location. It is a remuneration intended for the public use[…]
In Belgium, performing artists’ neighbouring rights are subject to withholding tax. By law, PlayRight is obliged to withhold 15% tax (minus flat-rate costs) from any rights it pays out. PlayRight[…]
PlayRight distributes rights for a reference year in two stages. After the final distribution of rights for one or even several reference years, PlayRight then makes a distribution of the financial benefits generated by these rights.
The starting point of any distribution is your repertoire, meaning the declarations of your audiovisual performances (also regarding dubbing and postsynchronisation and music in audiovisual works). Without these declarations, we cannot attribute your rights.
The starting point of any distribution is your repertoire, meaning the declarations of your music performances. Without these declarations, we cannot attribute you rights.
When will my repertoire generate rights in Belgium?